![]() ![]() ![]() Indeed, in the beginning, with Aperture, everything was easy. And indeed, some of usual workflow modalities are a way to implicitly answer them, without really addressing them as such. Now a lot of tricky questions appear, which are difficult to answer. ![]() One of the difficulty of Aperture demise (*) is that Aperture was so easy to use that you could play with it just for the sake of perfectly organizing your Library, without really asking yourself what was the purpose of organizing it perfectly. It will not cover the topic of migration, which is a subject in itself, with sometimes different solutions from the ones addressing current workflow. While I know Aperture very well and have been using it for 12 or 13 years, I'm still not completely at ease with C1, so pardon me if I make some mistake. That puts me in the 500 GB of storage need And I plan to continue on adding 3-5000 new each year, mixing personal photos and leisure shootings. I have around 25 000 photos covering roughly 20 years, with 500 small videos. I will speak here from the point of view of an amateur photograph, who has put some money on Capture One, and wants to keep on trying to use it because of development quality, but is still struggling to find the best way to use it as a cataloger. More precisely it was developed historically for professional photographers who work in studio on a series of independent projects, hence the session mode, and the cataloging part has been plugged on it in a more or less satisfactory way. It is my opinion that Capture One is one of the best raw editor on the market but has a cataloging functionality which can be considered subpar for a lot of usages. The subject is known to be complex, because there are different needs, different solutions, different configurations and the software itself is complex. Like many people on the Mac, I'm coming from Aperture to Capture One, trying to mimic what was a working workflow in Aperture, and I would like to share ideas. ![]()
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